Below, the first line shows the 16 "matraas" of Tritaal which binds the song. All shuddha swars are in caps, the tivra madhyam is "m". A '"` after a note indicates the higher octave (taar saptak) and a note within parenthesis is a grace one. a f a f c d c d c d g d g a F f F f ki: koraa kaagaz thaa ye man meraa c d f g a g a f d c d g likh liyaa naam is pe teraa c d f f a g f F f la: suunaa aa.ngan thaa jiivan meraa a, c d f g a g a f d c d g bas gayaa pyaar jis pe teraa c d f f a g f F f ki: TuuT naa jaaye sapane mai.n Darataa huu.N a ga g f f d c c d f f gaf g nit din sapano.n me.n dekhaa karataa huu.N a g a g f f d c c d f f g g f nainaa kajaraare matavaare ye ishaare a a a a aBaBag g g gagagf f ag f dc khaalii darapan thaa ye man meraa a, c d f g a g a f d c d g rach gayaa ruup is me.n teraa c d f f a g f F f Repeat above notes for the rest..... la: koraa kaagaz thaa ye man meraa likh liyaa naam is pe teraa la: chain ga.nvaayaa maine ni.ndiyaa ga.nvaaI saarii saarii raat jaaguu.n duu.N mai.n duhaaI kahuu.N kyaa mai.n aage nehaa laage jii naa laage koii dushaman thaa ye man meraa ban gayaa miit jaa ke teraa ki: koraa kaagaz thaa ye man meraa likh liyaa naam is pe teraa ki: baago.n me.n phuulo.n ke khilane se pahale la: tere mere naino.n ke milane se pahale ki: kahaa.n kii ye baate.n la: mulaakaate.n ki: aisii raate.n la: TuuTaa taaraa thaa ye man meraa ki: ban gayaa chaa.nd hoke teraa ki, la: koraa kaagaz thaa ye man meraa likh liyaa naam is pe teraa Khilte haiN gul yahaaN Khilke bikharne ko Milte haiN dil yahaaN Milke bichhadne ko Kal rahe na rahe Mausam yeh pyaar ka Kal ruke na ruke Dolaa bahaar ka Chaar pal mileN jo aaj Pyaar me guzaar le 1 2 3 4 5 6 1 2 3 4 5 6 P . . . M g (P)M (M)g (g)R S . . khil....................te haiN gu .. l ya .. haaN ....... . . g M P n n S" S" P n M P g M ............khi...l .. ke .. bi .. kha ..r .. ne ko ............. Antaraa: 1 2 3 4 5 6 1 2 3 4 5 6 S" . . . n P g . M g . . kal.....................ra .. he .. na .. ra .. he ........ n S" n S" n P g . M g . . mau .......s .a..m yeh . pyaa .......r ka ('kal ruke na ruke` follows the same phrasing as the first line of the antaraa) P m P n P . m P . . do ...o.....la ba....ha..........r ka . . n . D n . D n . D n . D cha...a.....r pa....l mi....le jo aa .........j D . P D . S" D P M g . . pyaa........r me..... gu....za....a.....r le........... ek la.Dakii ko dekhaa to aisaa lagaa, jaise c'Ba a a B c' a B c' a Bc' a B B B khilataa gulaab, jaise a a f a g a B shaayar kaa khvaab, jaise a f a g a B ujalii kiraN, jaise a f a g aB aB ban me.n hiran, jaise E E g f f f f chaa.Ndanii raat, jaise E g f f g g naram ki baat, jaise d f a g f f f mandir me.n ho ek jalataa diyaa, ho! f aB d' c' c'c' f a B d'c' B ek la.Dakii ko dekhaa to aisaa lagaa c'Ba a a B c' a B c' a Bc'd' a B ek la.Dakii ko dekhaa to aisaa lagaa, jaise subah kaa ruup, jaise saradii kii dhuup, jaise vINaa kii taan, jaise ra.ngo.n kii jaan, jaise balakhaaye.n bhel, jaise laharo.n kaa khel, jaise khushabuu liye aaye Tha.nDii havaa, ho! ... ek la.Dakii ko dekhaa to aisaa lagaa! ho, ek la.Dakii ko dekhaa to aisaa lagaa ek la.Dakii ko dekhaa to aisaa lagaa, jaise naachataa mor, jaise resham kii Dor, jaise pariyo.n kaa raag, jaise sandal kii aag, jaise solah shrR^i.ngaar, jaise ras kii phuhaar, jaise aahistaa aahistaa ba.Dhataa nashaa, ho! ... ek la.Dakii ko dekhaa to aisaa lagaa! ek la.Dakii ko dekhaa to aisaa lagaa! #9 #11 phUlo.n ke rang se dil ki kalam se G G G g G G G G g G tujh ko likhi roja bAti P" D" N" S R G m R kaise batAvu.n kis kis tereh se G G G g G G G G g G pal pal mujhe tu satAti P" D" N" S R G m R tere hi sapne lekarke soyA N" S R N" S N" S R N" S terI hi khwAbo.n mein jAgA P P m mG G m R G tere khayAlo.n mein uljhA hua.n you.n P P m mG GmR G P P m mG GmR jaise ke mAlA me dhAgA G G R RSSR R R R ho bAdal bijli chandan pAni aisA apanA pyAr PGP P P P P PD PDP mGGmGR RGGR RSSR R N" D" P" lenA hogA janama hame kai k ai bAr --- Now the same song in Indian notation, courtesy Dr. Rajan Parrikar. Notating the composition swara-wise is easy but to fit it in the meter and the beat is hard without cluttering the screen mainly because of some slightly-out-of-phase weighting of the syllables and the subtle slides. Hence some simplification is deemed necessary. All the 3 stanzas are symmetrical tunewise. Only the first has been used for notating purposes. All shuddha swaras are in caps; g=komal gandhar, m=tivra madhyam. 1 2 3 4 5 6 1 2 3 4 5 6 G G . G g G . G G . G g G . phoo lo....N kerang se . dil ki . kalam se . P' D' N' S R R G MG RG R . . . tujh ko li khi ro..o.z paa...ti . . . . kaise bataoon kis kis tarah se pal pal mujhe tu sataati are similar to the above notated lines, respectively. 1 2 3 4 5 6 1 2 3 4 5 6 N' S S R N' S . N' S S R N' S . te re . hi sap ne . le kar . ke so ya . P P P M G G G M R G . . . . te ri . hi yaa doN . meiN jaa gaa . . . . 1 2 3 4 5 6 1 2 3 4 5 6 P (m) P . M G GM RG P P . M G GM R te . re . kHya lo....NmeiN ul jha . raha ho....oN G G GR S S GR . . . . PG P jai se .ke maa laa me dha gaa . . haaN.... 1 2 3 4 5 6 1 2 3 4 5 6 P P P P P P PD PD . MG R . baa da. l bij li . chan da. n paa ni . RG RG . S SG R R R R N' D' P' jai saa . ap na . py aa ar . . . 1 2 3 4 5 6 1 2 3 4 5 6 P' D' S S S . R R G G G G le na . ho ga . ja na m ha mm e R G P . G R S . . . . . ka .' i . ka' ' baar . . . . . The details of the composition are: (1) phooloN ke rang se dil ki kalam setujhko likhi roz paati kaise bataoon kis kis tarah se pal pal mujhe tu sataati tere hi sapne lekar ke soya teri hi yaadoN me jaagaa tere kHyaaloN meiN uljha raha hooN jaise ke maalaa me dhaagaa haaN, baadal bijli chandan paani jaisa apna pyaar lena hoga janam hamme ka'i ka'i baar haaN, itnaa madhur kita madhur tera mera pyar lena hoga janam hamme ka'i ka'i baar (2) saaNsoN ki sargam dhaDkan ki beeNaa sapnoN ki geetanjali tu man ki gali me mehke jo hardam aisi juhi ki kali tu lamba safar ho chota safar ho suni Dagar ho ya melaa paas tu aaye man ho jaaye bheed ke beech akelaa haaN... (3) purab ho paschim uttar ho dakhhin tu har jagah musquraaye jitna hi jaaoon mai door tujhse utni hi tu paas aaye aandhi ne rokaa paani ne Tokaa duniya ne haskar pukaaraa tasvir teri lekin liye mai kar aayaa sabse kinaaraa haaN... #12 Song: Tumhi ho mata Movie: Non-film Notes by Ramesh Kalra. Indian notation. Bhajan : Tumhi ho maata pitaa tumhi ho .... This is in Indian notation. All shuddha sawars are in caps. The tivra madhyam is "m". A '" ' after a note indicates the higher octave. Asthaaie: S d - P d - P M g M P M g r S - Tu mhi ho maa ta pi taa tu mhi ho d S - S R - g - P M - g r - S - Tu mhi ho b.n dhu sa kha tu mhi ho Antaraa: d d - M d - n - S" S" - S" n r" S" - Tu mhi ho sa thi tu mhi sa ha re n n - D P D M - P P - d n d P - ko ee na a p na si va tu mha re S d - P d - P M g M P M g r S - Tu mhi ho ne yaa Tu mhi khi via ya d S - S R - g - P M - g r - S - Tu mhi ho b.n dhu sa kha tu mhi ho Repeat the Antara for the following verses jo khil sake na.n vo phul hu.m he.n tumhare charn.o ki dhuul hu.m he.n daya ki drishti sada hi rakhna tumhi ho bandhu sakha tumhi ho n.a hu.m m.e bal hai n.a h.m me.n shkti n.a hu.m m.e vidya n.a h.m me.n bhakti tumhare dar ke he.n hu.m pujari Tumhi ho b.ndhu sakha tumhi ho ----------------------------------------- #15 Song: Chhukar mere man ko..... ------------------------------------------------------------------------------- ------------------------------------------------------------------------------- chhuukar, mere man ko, kiyaa tuune, kyaa ishaaraa f# f# e d c# e a b c# c# d ef# d badalaa ye mausam, la ge pyaaraa jag saaraa a' a' g' f#g'b' c#'c#'c#' c#' b'c#' d' d' chhuukar... ------------------------------------------------------------------------------- tuu jo kahe jiivan bhar, tere liye mai.n gaauu.N, tere liye mai.N gaauu.N, giit tere bolo.n pe likhataa chalaa jaauu.N, likhataa chalaa jaauu.N, mere giito.n me.n, tujhe Dhuu.NDhe jag saaraa a'a' chhuukar... ------------------------------------------------------------------------------- aajaa teraa aa.Nchal ye, pyaar se mai.n bhar duu.N, pyaar se mai.n bhar duu.N, khushiyaa.N jahaa.N bhar kii, tujhako nazar kar duu.N, tujhako nazar kar duu.N, tuu hii meraa jiivan, tuu hii jiine kaa sahaaraa chhuukar...
Thursday, September 17, 2009
Notations
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